D6
D10
D20
The full game, written out. Each week, three dice generate a one-minute
filmmaking prompt — a rule code like KTL32R.
Below is how to read your code, make your film, and score.
Each week, three dice generate a one-minute filmmaking prompt. You make a film that follows it. Films screen live in Atlanta on Monday nights and live permanently in the online archive.
There is no end and there are no prizes. Players accumulate frames, badges, and seasons over time, building a permanent body of work. The game continues for as long as you keep playing.
Every round begins and ends at exactly 11:48 PM Eastern Time on Monday. Set your watch to it.
KTL32R — is your week’s rule code.Not ready to share it with the world? You don’t have to.
You can keep any film private — it stays hidden from the public and the archive (nobody sees it without the link), yet it still counts toward your frames and everyone’s credits.
Nothing you make is ever forced public. Upload it to YouTube as unlisted, import it here, and set it to Private — play for the milestones without putting the film out there.
A rule code is always KTL followed by the three dice, in order:
KTL32R = Exactly 3 props AND camera must not move more than 10 feet from a single point.
KTL47H = Exactly 4 people involved (including you) AND all shots must be handheld.
D6 is the amount (always “exactly N”). D10 is the resource it counts — props, people, cuts, words, locations, and more. D20 is the creative constraint, one fixed rule per consonant. Every value, with what it means, lives in the interactive dice map at the top of this page — roll the sample or expand any row. A few D10 values (6, 7, 0) trigger special modes — see Special Rules.
Your film must be exactly D6 × 10 seconds long. The form rejects anything more than 3 seconds over.
| Code | Required runtime |
|---|---|
| KTL16× | 10 seconds |
| KTL26× | 20 seconds |
| KTL36× | 30 seconds |
| KTL46× | 40 seconds |
| KTL56× | 50 seconds |
| KTL66× | 60 seconds |
Some rolls give you less than the usual week. When that happens, the site simply shows your exact deadline and a live countdown — just watch the clock and submit before it hits. On these rolls, the online and live-show deadlines are the same.
The Resource is skipped. The D6 plugs straight into the letter rule’s
( ) placeholder.
KTL30Z → Exactly 3 shots must be interior/inside.KTL50R → Camera must not move more than 5 feet from a single point.KTL40G → Exactly 4 shots must be filmed with a phone camera.A special compound roll — the simplest one. The rule shifts to its tightest form:
(All) becomes “entirely,” (at least 1) becomes
“exactly 1,” and (10) becomes 1. The “A ONER:” prefix is part of the official rule.
KTL10H → A ONER: entirely handheld.KTL10P → A ONER: entirely POV/point of view.KTL10B → A ONER: break the fourth wall exactly 1 time.A beginner-friendly subset for school events, library rolls, family games — every roll completable on a phone in about an hour.
D F G H K M P R S T V X Z)Every film has exactly one Director — the person who submitted it, set automatically. Everyone else is added through the credits form. One person can hold multiple roles on a film; each role gets its own line on the film page.
| Role | Qualifies if… |
|---|---|
| Writer | Their ideas were used in the final film |
| Actor | Their likeness was used in the final film (any way) |
| Camera | At least one frame from a camera they operated was used |
| Crew | Helped on set in any other capacity |
| Post-Production | Contributed to editing or manipulating footage |
| Executive Producer | Provided essential resources or assets |
The atomic point of progress, named for 24-fps film.
For any single film you get one type of scoring: if you directed it, that’s 1 Director frame — full stop (crediting yourself as actor / writer / editor on your own film earns nothing extra). If you didn’t direct it, your role credits count toward that role’s frames.
If you hold multiple roles on a film you didn’t direct:
Example: Actor + Crew + EP on one film → only Actor counts. But Crew + EP alone → both count (nothing is blocking them).
Your overall progress level: S-Level = floor( total frames ÷ 24 ).
24 total frames = S1, 48 = S2, and on forever.
Each role has its own ladder. Every 24 credits in a role = one tier: 24 acting credits = ACTOR ×1, 48 = ACTOR ×2, and so on. Only your current top tier in each role shows on your profile.
Two grids tracked from films you’ve directed only:
Level 1 = at least one film for every value; Level 2 = at least two for every value; levels stack. The D6 isn’t tracked (it’s the amount, not a unique resource). These count as extra frames toward your S-Level.
Your first film ever shown to a live audience anywhere — KTL or otherwise. A one-time milestone. If you’ve ever screened work at any public event before (even outside KTL), it doesn’t apply. The form has a double-confirm Debut checkbox, and debuts get their own green-bordered section in the show signup grid (without using up a regular slot).
An optional Mature Content flag for your film — a checkbox only, no description required.
Visit /thektlshow/ to take one of the 48 weekly slots. If it’s full, you join the waitlist — and if a slot-holder doesn’t submit by the live-show cutoff, their slot opens and the next person is auto-promoted. Debuts get their own section and don’t consume a regular slot.
KTL is a public archive built on real credits. What you make public is tied to your credit name, so you’re encouraged to use your real name — KTL is a filmmaking resume, and real names carry weight. But you control your credit name, you can keep any film private, and the archive respects whatever you choose.
| Field | Public? |
|---|---|
| Credit name | Yes — on every film & scorecard |
| Films directed or credited on | Yes — unless you set a film private |
| Rule codes, dates, archive entries | Yes |
| Profile picture | Yes, if uploaded |
| Email address | No |
| Phone / contact info | No — only show producers, only your week |
| Legal name | No, unless it’s your credit name |
Every weekly roll generates a permanent archive page containing the rule code and full prompt, every film submitted that week, the dice video of that roll (when available), the directors who signed up, and the date, venue, and event details.
Older films from before the website existed can be added through a claim process — look for placeholder posts or contact admin. And when the live show is on hiatus (off-season), the website auto-rolls a new code each week, online-only; all scoring, scorecards, and archives keep running.
| Term | Meaning |
|---|---|
| Rule Code | Three-character code (e.g. KTL32R) generated by the dice. Your week’s prompt. |
| Frame | Basic unit of progress. 1 directed film = 1 frame. 24 role credits = 1 frame. |
| S-Level | Your filmmaker “season.” Total frames ÷ 24, rounded down. |
| Debut | First film shown to a live audience anywhere. One-time milestone. |
| The KTL Show | Live Monday-night screening event in Atlanta. |
| Base Set | Beginner-friendly subset. 468 possible codes. |
| A Oner | Special D6=1 + D10=0 combination. The simplest roll. |
| Premiere Dam | Films stay hidden until the roll’s premiere time (set by the host), regardless of submission status. |
| Tier 1 | Writer, Actor, Camera, Post-Production. Always counts. |
| Tier 2 | Crew, Executive Producer. Only counts when no Tier 1 exists for you on that film. |
The dice generate constraints. The constraints force creativity. The deadline forces shipping. There’s no winner — the game is the practice, week after week, in public, with people who showed up the same day you did.
Roll the dice. Make the film. Show up.
Make Your Film