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How To Play

Kick The Ladder
One Minute Film
Your film must never exceed one minute.
Made in One Week
Create the film within one week of receiving the film prompt.
Join the Archive
Every week, a new batch of one-minute micro-shorts is released.
D6
D6
The Number
Sets a quantity — how many of something your film requires.
D10
D10
The Limitation
Names what you're counting — cuts, props, people, runtime, and more.
D20
D20
The Prompt
The creative challenge — 20 different filmmaking rules to draw from.

D6 D6
1
Exactly 1
2
Exactly 2
3
Exactly 3
4
Exactly 4
5
Exactly 5
6
Exactly 6
D10 D10
1
Cuts / transitions
The total number of cuts/edits allowed in your final film. Every transition from one shot to another counts.
2
Props
The number of distinct physical props that must visibly appear on screen.
3
Words
The total number of spoken or written words allowed in your film. Every word counts.
4
People involved
The total headcount of everyone involved in making the film — cast and crew combined, including you.
5
Locations
The number of distinct filming locations you can use.
6
×10 second runtime
Multiply your D6 by 10 to get your maximum runtime in seconds. (e.g. D6=3 → 30 seconds max)
7
Day submission deadline
The number of days you have to submit your film from the moment you roll.
8
×10 minute film window
Multiply your D6 by 10 to get your total filming window in minutes. (e.g. D6=4 → 40 minutes of filming)
9
Video files
The number of separate video clips/files you can use in your edit.
0
Your number fills the ( ) in the prompt
Your D6 value fills in the blank inside your D20 prompt, replacing the number shown in parentheses.
D20 D20
Your film must directly acknowledge the audience at least once. A character looks into the camera, speaks to the viewer, or intentionally shatters the illusion of the story.
Something real has to get destroyed on screen. Digital effects don't count — the destruction has to actually happen in front of the camera. Smash it, burn it, shred it, drop it — anything that leaves the object clearly ruined. Be safe, don't damage anything without permission
Structure your film like a documentary — interviews, narration, observational footage. The subject can be anything: a person, an object, a mundane event, a fictional topic presented as real.
Pick any scene from any existing film, TV show or video and recreate it.
Every single shot must be captured on a smartphone.
No tripods, no gimbals, no stabilization rigs of any kind. Every shot must be physically stabilized by a human hand.
An inanimate object must play a central role in your story. Give it presence, purpose, and narrative weight. Move it, voice it, or treat it as fully sentient. It should feel like a character.
At least one performer must portray two or more distinct characters in the film. Use costumes, hairstyles, locations, or whatever.
Every shot must be filmed on a completely stationary camera — tripod, table, floor, shelf. No pans, no tilts, no handheld drift. If the camera moves, it's not locked down.
Your entire film must be assembled from footage that already existed before the roll. Found footage, old home videos, stock clips, archival material — anything captured before your roll is fair game. Don't create any new video files.
Give an animal a clear role in the story. Wild, domestic, or somewhere in between, it's up to you. Be safe out there and kind to the animals.
At least one shot must be filmed from a first-person perspective — as if through a character's eyes. The camera becomes the character.
Your film must be a continuation or origin story tied to another KTL film made during the same submission window. This one requires coordination — reach out to a fellow filmmaker before you start shooting.
The camera must stay within a 10-foot radius of one fixed point for every shot used. Think of it as being tethered. You can move the camera freely within that circle — just never outside it.
At least one shot must be in slow motion — either captured at a higher frame rate or with slowed down in the edit.
At least one shot must include a real, unedited clock displaying exactly 11:48 — AM or PM in real local time of the filming. The time must be clearly legible and in-frame. The clock cannot be altered digitially or physically.
Your film must function as a music video. The song doesn't need to be original. Covers, instrumentals, and existing tracks all work. All copywritten songs are handled by YouTube, which fair use protects mostly.
At least one shot in your film must have been filmed more than 100 miles from wherever you're located at the time of filming. Call a friend, family member or another filmmaker who sends you a clip, or footage captured from over 100 miles away.
Every shot must take place outdoors.
Every shot must take place inside.
The Complete Rules

Every Rule, In Plain English

The full game, written out. Each week, three dice generate a one-minute filmmaking prompt — a rule code like KTL32R. Below is how to read your code, make your film, and score.

The Object of the Game

Each week, three dice generate a one-minute filmmaking prompt. You make a film that follows it. Films screen live in Atlanta on Monday nights and live permanently in the online archive.

There is no end and there are no prizes. Players accumulate frames, badges, and seasons over time, building a permanent body of work. The game continues for as long as you keep playing.

3 DiceOne D6 (the Amount), one D10 (the Resource), one D20 (the Constraint).
1,200 promptsThe full rule set generates 1,200 unique weekly codes.
The CameraPlayer-supplied. A phone counts.
The ArchiveA permanent online record of every film ever played.

A Round Is One Week

Every round begins and ends at exactly 11:48 PM Eastern Time on Monday. Set your watch to it.

  1. 1
    The Roll. At Monday 11:48 PM ET, three physical dice are rolled at the live show. The result — e.g. KTL32R — is your week’s rule code.
  2. 2
    Read your prompt. Look up your three dice in the map at the top of this page. Your full prompt is your D6 + your D10 + the word AND + your D20.
  3. 3
    Make your film. You have about 7 days to make a one-minute film that follows the prompt. Max runtime 63 seconds, uploadable to YouTube (public or unlisted), one film per player per week.
  4. 4
    Submit. Paste your YouTube link into the form at kicktheladder.com/submit, add credits, location, and any flags. The form auto-checks link privacy, runtime, and duplicates.
  5. 5
    The deadlines. Live-show filmmakers: Monday 11:48 AM ET. Everyone else: Monday 11:48 PM ET. After the online cutoff, a film doesn’t count for that week.
  6. 6
    The live show (optional). Monday night in Atlanta. Films screen in order with a brief Q&A after each. To screen, you must be there in person. Then the next week’s dice roll on stage at 11:48 PM ET.
  7. 7
    Archive. At the roll’s premiere time — set by the host, commonly the morning after the show — every submitted film goes public by default: its own film page, the week’s archive page, and every credited person’s scorecard. The YouTube link locks once the roll closes; credits and description stay editable.

Not ready to share it with the world? You don’t have to.
You can keep any film private — it stays hidden from the public and the archive (nobody sees it without the link), yet it still counts toward your frames and everyone’s credits.
Nothing you make is ever forced public. Upload it to YouTube as unlisted, import it here, and set it to Private — play for the milestones without putting the film out there.

How to Read a Rule Code

A rule code is always KTL followed by the three dice, in order:

KTL 3D6
Amount
2D10
Resource
RD20
Constraint

KTL32R = Exactly 3 props AND camera must not move more than 10 feet from a single point.

KTL47H = Exactly 4 people involved (including you) AND all shots must be handheld.

D6 is the amount (always “exactly N”). D10 is the resource it counts — props, people, cuts, words, locations, and more. D20 is the creative constraint, one fixed rule per consonant. Every value, with what it means, lives in the interactive dice map at the top of this page — roll the sample or expand any row. A few D10 values (6, 7, 0) trigger special modes — see Special Rules.

Special Rules

A · Runtime Override D10 = 6

Your film must be exactly D6 × 10 seconds long. The form rejects anything more than 3 seconds over.

CodeRequired runtime
KTL16×10 seconds
KTL26×20 seconds
KTL36×30 seconds
KTL46×40 seconds
KTL56×50 seconds
KTL66×60 seconds

B · Shorter Week D10 = 7

Some rolls give you less than the usual week. When that happens, the site simply shows your exact deadline and a live countdown — just watch the clock and submit before it hits. On these rolls, the online and live-show deadlines are the same.

C · Letter-Only Mode D10 = 0

The Resource is skipped. The D6 plugs straight into the letter rule’s ( ) placeholder.

  • KTL30Z → Exactly 3 shots must be interior/inside.
  • KTL50R → Camera must not move more than 5 feet from a single point.
  • KTL40G → Exactly 4 shots must be filmed with a phone camera.

D · The Oner D6 = 1, D10 = 0

A special compound roll — the simplest one. The rule shifts to its tightest form: (All) becomes “entirely,” (at least 1) becomes “exactly 1,” and (10) becomes 1. The “A ONER:” prefix is part of the official rule.

  • KTL10H → A ONER: entirely handheld.
  • KTL10P → A ONER: entirely POV/point of view.
  • KTL10B → A ONER: break the fourth wall exactly 1 time.

E · The Base Set beginner mode

A beginner-friendly subset for school events, library rolls, family games — every roll completable on a phone in about an hour.

  • D10 → D6 (only values 1–6 — no specials)
  • D20 → D13 (only consonants D F G H K M P R S T V X Z)
  • 468 possible codes, vs 1,200 in the full set.

Credits & the 6 Roles

Every film has exactly one Director — the person who submitted it, set automatically. Everyone else is added through the credits form. One person can hold multiple roles on a film; each role gets its own line on the film page.

RoleQualifies if…
WriterTheir ideas were used in the final film
ActorTheir likeness was used in the final film (any way)
CameraAt least one frame from a camera they operated was used
CrewHelped on set in any other capacity
Post-ProductionContributed to editing or manipulating footage
Executive ProducerProvided essential resources or assets

Scoring

Frames — the basic unit

The atomic point of progress, named for 24-fps film.

  • Direct a film → 1 Director frame, always.
  • Get credited on someone else’s film → 24 credits in a role = 1 frame in that role.

For any single film you get one type of scoring: if you directed it, that’s 1 Director frame — full stop (crediting yourself as actor / writer / editor on your own film earns nothing extra). If you didn’t direct it, your role credits count toward that role’s frames.

Tier 1 vs Tier 2

If you hold multiple roles on a film you didn’t direct:

  • Tier 1 (always counts): Writer, Actor, Camera, Post-Production. Each Tier 1 role on the same film counts separately.
  • Tier 2 (only if no Tier 1): Crew, Executive Producer. They stack with each other but are blocked by any Tier 1.

Example: Actor + Crew + EP on one film → only Actor counts. But Crew + EP alone → both count (nothing is blocking them).

S-Level — your filmmaker season

Your overall progress level: S-Level = floor( total frames ÷ 24 ). 24 total frames = S1, 48 = S2, and on forever.

Badges — earned per role

Each role has its own ladder. Every 24 credits in a role = one tier: 24 acting credits = ACTOR ×1, 48 = ACTOR ×2, and so on. Only your current top tier in each role shows on your profile.

Rule Code Challenges — Numbers & Consonants

Two grids tracked from films you’ve directed only:

  • Numbers — the D10 digits 0–9 you’ve directed a film for (10 total).
  • Consonants — the D20 letters B–Z you’ve directed a film for (20 total).

Level 1 = at least one film for every value; Level 2 = at least two for every value; levels stack. The D6 isn’t tracked (it’s the amount, not a unique resource). These count as extra frames toward your S-Level.

Optional Actions

The Debut

Your first film ever shown to a live audience anywhere — KTL or otherwise. A one-time milestone. If you’ve ever screened work at any public event before (even outside KTL), it doesn’t apply. The form has a double-confirm Debut checkbox, and debuts get their own green-bordered section in the show signup grid (without using up a regular slot).

Mature Content

An optional Mature Content flag for your film — a checkbox only, no description required.

Sign Up for the Live Show

Visit /thektlshow/ to take one of the 48 weekly slots. If it’s full, you join the waitlist — and if a slot-holder doesn’t submit by the live-show cutoff, their slot opens and the next person is auto-promoted. Debuts get their own section and don’t consume a regular slot.

Identity

KTL is a public archive built on real credits. What you make public is tied to your credit name, so you’re encouraged to use your real name — KTL is a filmmaking resume, and real names carry weight. But you control your credit name, you can keep any film private, and the archive respects whatever you choose.

FieldPublic?
Credit nameYes — on every film & scorecard
Films directed or credited onYes — unless you set a film private
Rule codes, dates, archive entriesYes
Profile pictureYes, if uploaded
Email addressNo
Phone / contact infoNo — only show producers, only your week
Legal nameNo, unless it’s your credit name

The Archive

Every weekly roll generates a permanent archive page containing the rule code and full prompt, every film submitted that week, the dice video of that roll (when available), the directors who signed up, and the date, venue, and event details.

Older films from before the website existed can be added through a claim process — look for placeholder posts or contact admin. And when the live show is on hiatus (off-season), the website auto-rolls a new code each week, online-only; all scoring, scorecards, and archives keep running.

Glossary

TermMeaning
Rule CodeThree-character code (e.g. KTL32R) generated by the dice. Your week’s prompt.
FrameBasic unit of progress. 1 directed film = 1 frame. 24 role credits = 1 frame.
S-LevelYour filmmaker “season.” Total frames ÷ 24, rounded down.
DebutFirst film shown to a live audience anywhere. One-time milestone.
The KTL ShowLive Monday-night screening event in Atlanta.
Base SetBeginner-friendly subset. 468 possible codes.
A OnerSpecial D6=1 + D10=0 combination. The simplest roll.
Premiere DamFilms stay hidden until the roll’s premiere time (set by the host), regardless of submission status.
Tier 1Writer, Actor, Camera, Post-Production. Always counts.
Tier 2Crew, Executive Producer. Only counts when no Tier 1 exists for you on that film.

The dice generate constraints. The constraints force creativity. The deadline forces shipping. There’s no winner — the game is the practice, week after week, in public, with people who showed up the same day you did.

Roll the dice. Make the film. Show up.

Make Your Film